Sunday, March 4, 2012

Toyota Partner Robots

産業技術記念館

On a revisit to the Toyota Commemorative Museum of Industry & Technology, not far from Nagoya Station, we came across the Toyota Partner Robots (トヨタ・パートナーロボット).

Developed in 2004 for the 2005 Expo, the Toyota Partner Robots are humanoid robots and can walk and play the trumpet, a feat they perform on the hour with admirable skill.


Toyota Partner Robots were developed to work with the elderly, through assisting in household chores and watching over them. At present, the technology is limited to them walking and playing various musical instruments.







Toyota Commemorative Museum of Industry & Technology
1-35 Noritake Shinmachi 4-chome
Nishi-ku, Nagoya
451-0051
Tel: 052 551 6115
Admission: 500 yen
Hours: 9.30am-5pm (last admission 4.30pm)
Closed on Mondays

Access

Take a local (futsu) Meitetsu train one stop north from Nagoya Station to Sako. The museum is a 3 minute walk to your right from Sako Station.

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Saturday, March 3, 2012

Japan News This Week 4 March 2012

今週の日本

Japan News.A Japanese Director's Path to Revolution

New York Times

Japan police raid pro-North Korea group's offices

BBC

Fukushima visit: I wanted to rip my full-face mask off more than once

Guardian

Keep females in Imperial clan: experts

Japan Times

Japón permitirá a sus nucleares funcionar hasta los 60 años como máximo

El Pais

Nucléaire : « Les travailleurs de Fukushima, agresseurs et victimes »

Rue 89

北海道四季甜蜜之旅

Caijing

Students in the field at the site of the Great East Japan Earthquake

Japan Focus

Japan 0-1 Uzbekistan: Shadrin's goal gives upstart Uzbeks a deserved victory

Yahoo Sports

Last Week's News

Statistics

Refugee applications to Japan set a new record in 2011.

1,867 people applied for refugee status, according to the Justice Ministry.

However, of those just 21 were approved.

That is down from 39 approvals in 2010.

Source: Kyodo News


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Friday, March 2, 2012

Buttocks Washing Seat

お尻洗浄用シート


Western observers of Japan have noted since antiquity how unabashed the Japanese are regarding things about the human body that Westerners are typically squeamish - at worst prudish - about.

One example is how until relatively recently in history, bathhouses in Japan were not gender discriminatory; both sexes bathed together. Another is phallic festivals in Japan where that bogeyman of traditional Western morality, the penis, is elevated to religious significance. Another is the prevalence of erotica in Japan that is fully open to public view, for example, explicit gay manga comics and doujinshi (erotic limited-edition parodies of mainstream manga), without anyone raising an eyebrow.

So it's not so surprising to see what is called a Buttocks Washing Seat on sale at a supermarket in Tokyo's Kinshicho district, depicting a decrepit trouserless old man having his ass sprayed by a woman wearing gloves and a facial expression that is probably a smile, but could be read as a longsuffering grimace as well.

On top of that, they got the spelling wrong! The product on sale here is not a seat, but a sheet: a Buttocks Washing Sheet, visible underneath the old man's ass, with the red arrow pointing to it. This is because in Japanese pronunciation, there is no distinction between the opening consonants in "see" and "she," or in "seat" and "sheet."

The red lettering on the packet under the word "Washing Seat" says "Of a size and absorbency that you can be sure will keep things around from getting dirty."

In graying Japan, it is products like the Buttocks Washing Sheet, not the disposable nappy for babies, that will see rising sales.

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Thursday, March 1, 2012

Koga Shiga Prefecture

甲賀

Last May we spent nine days in Shiga Prefecture. With Hikone as our base of operations we took the JR train to see many sights. One day we decided to go to Koga to check out the Ninja Museum. I had seen some exciting ninja activity in two Taiga Dramas in particular, "Musashi" and "Komyo Ga Tsugi."


As we waited to board the train, an elderly woman asked us where we were going. "To Koga," answered my daughter. The woman responded, "Why?" I should have paused to hear if the crows were cawing, because that woman must have known something we did not.

We arrived in Koga at a tiny station. We had to take our tickets up to a window where a lone worker sat quietly. As we made our way toward the exit, we noticed beautifully painted murals of ninjas in various action scenes. They were designed in a way so children (and American tourists) could pose as if to be included in the precarious situation. There were even instructions posted so you could get it just right.



We exited the area and saw some ninja sculptures amidst some strikingly red maple trees. As we crossed the street we walked confidently, believing we would find the Ninja Museum in no time. We strolled here and there in the warm sunshine.

We saw the ninja-themed manhole covers and the ninja public telephone. We took a long walk past beautiful farmland, looked at interesting birds, and saw a bumper sticker on a barn which said "United We Stand," a reference to the devastating earthquake and tsunami of March. We were getting pretty hot and sweaty by this time, and we were grateful to find a vending machine next to the barn. A local said hello to us as I took a drink of CC Lemon.



We never found the museum. And by this time we felt too stupid to ask anyone for help. We went back to the station, too small to have any food for sale, and rode the JR back to Hikone. These days we say the ninja were just too clever for us, and they had hidden themselves as they watched us walk aimlessly through Koga. Next time I will heed the message from the old woman!

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Wednesday, February 29, 2012

Japanese language: kuu

食う


The Japanese word for eat that you will most usually encounter is taberu.
Taberu no ga daisuki
(I) love eating

However, there is another word for eat, using the same kanji as taberu, but pronounced kuu. Generally speaking kuu is simply a more vulgar form of taberu.
Yuube no pati, piza musabori kutta.
I totally pigged out on pizza at that party last night.

Yet, kuu has a more respectable meaning in everyday Japanese, that of being subjected to, of suffering, something.

A common, and very colorful, phrase using kuu is ohmedama o kuu, literally meaning “to eat a big eyeball,” and actually meaning “to be bawled out,” “to get a tongue lashing,” “get an earful,” “be given hell,” etc.
ボスに大目玉を食った
bosu ni ohmedama o kutta
The boss bawled me out.
The image is immediate and graphic - positively comicbook, in fact - of a barking boss, pop-eyed with rage.

Another phrase using kuu is awa o kuu, literally meaning “to eat bubbles/froth,” and actually meaning “to be confused,” “be at a loss,” “lose your presence of mind.”
あんなニュースを聞いて泡を食った
anna nyuusu o kiite awa o kutta
I was at a total loss on hearing news like that.
The image here is of eating froth that then goes to fill your head.

Another particularly memorable kuu phrase is hiyameshi o kuu, literally meaning “to eat cold rice,” and actually meaning “to be dependent on someone for food and lodgings” or “to be treated coldly,” or “to be passed over (for promotion).”
もう30歳ななにまだ親に冷や飯を食うなんて
Moh sanjissai na no ni mada oya ni hiyameshi o kuu nante
You’re 30 already and yet you’re still completely dependent on your parents, for god’s sake!

The 30 year old's possible reply?
いや、しかし、親と同じ釜のめしを食うって安心するわ
iya, shikashi, oya to onaji kama no meshi o kuu'tte anshin suru wa
literally, "yes, but I feel safer and happier being able to eat rice out of the same pot as my parents."



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Tuesday, February 28, 2012

Patterns by Jane Garnes - the inspiration of shape

絵柄 ジェーン・ガ-ンズ



Jane Garnes is an international photographer and artist resident in both the United States and France, and with a particular love of and fascination with Japan.

Jane Garnes recently published Patterns, a collection of 43 photographs taken in Japan: patterns being the theme of the photographs and by which they are organized.

A particular defining feature of this collection is the accompaniment of each photograph by a haiku penned by the photographer, inspired by the subject of the photograph.

Patterns is organized into three parts: symmetrical, repeating, and asymmetrical patterns. Most photographs are of a single subject, but the collection includes collages as well.

The subjects of the photographs are fairly evenly balanced between the natural and the manmade,  the latter being the artifacts, architecture, foodstuffs, and implements typical of Japanese culture. Only one human subject is included, but even then it is wearing a traditional mask.

Patterns thereby represents a very objective eye, and a very observant one that approaches its subject with precision and measure. The thematic focus, though, is on the abstract notions of pattern and symmetry, giving the collection something of a contemplative mood.

Yet the abstract, as reflected in Patterns, does not mean arcane. There is pathos and even whimsy here, portrayed in a rich panoply of colors from gorgeous to subtle. There is the vermilion splendor of intricate corner rafters of a Japanese temple, the whimsical juxtaposition of the logo designs of different brands of piled up sake barrels, the grotesque convolutions of octopus tentacles, the lonesomeness of an old wooden pail on its side, and the desperation, however lovable, of gaping chicks waiting for their mother to return.

Patterns is a very polished visual take on Japan that will appeal to anyone with a love of beauty. The kaleidoscope of images is cleverly held together by its eponymous theme, and the reader can turn to the haiku for the impressions and observations of the author in verse form to enhance or provide some background and added flavor to the visual experience.

Finally, Patterns was published some months after the Great East Japan Earthquake, and the photographs themselves taken at the very time of the disaster. All proceeds from the sale of Patterns go to the Riverside (Ca.) Sendai (Japan) Relief Fund.

Riverside has been a sister city of Sendai since 1951, and the Relief Fund was established in the wake of the Earthquake to assist in the recovery from the damage Sendai suffered from the March 2011 quake and tsunami and nuclear catastrophe.

Buy Patterns by Jane Garnes online



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Monday, February 27, 2012

Looking at Japan's Insects and Fish

A pleasure of visiting a faraway country is getting to see new and different things. This can range from the very big (i.e., castles) to the very small.


One day while visiting a castle ruin in Tsuwano I was looking closely at the plants and flowers, and I noticed several insects. At that moment a great revelation struck me: I recognize these bugs from "Animal Crossing!"

That little gem of a videogame by Nintendo was originally titled "Animal Forest" in Japan before it arrived on American shores in 2002. Part of the game involved catching bugs and fish, and I spent long hours with my net and fishing pole in a crazed, obsessive quest to catch them all. Over time I have played every incarnation of "Animal Crossing."


To my immense delight, I have come across various insect and spider species in our travels throughout Japan. Some of them I recognize from the game, while others come as a new and pleasant surprise. During my trip to Kyushu I came across a Blue Admiral Butterfly on the grounds of Kumamoto Castle.

When it comes to fish, the only ones we saw except for koi carp had been prepared for us as meals. Red snapper ("I caught a red snapper! Snappity, snap, snap!") tastes pretty good. And what do you think about sweetfish ("I caught a sweetfish! Deelish!")?


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